Meet Eneida Sanches, metalworker


Oxum’s fan

“In my work with objects of Candomblé, I look for a balance between Yoruba iconography and my own experience of the tradition. Each orixá possesses specific qualities. The group of symbols engraved on the metal invokes that entity. Each piece thus conveys a story, an attitude, and a philosophical thought.”

Bahia, Brazil 1997